Archive for the ‘Shows’ Category

art ltd writeup

Tuesday, January 15th, 2013

Here is a great review of my 2012 solo show at Martha Otero Gallery. It is featured on Art ltd. Magazine and written by Shana Nys Dambrot. Check it out HERE

pedestal

Jen Stark: “To the Power Of” at Martha Otero Gallery
by Shana Nys Dambrot
Jan 2013

Jen Stark is a woman who knows how to make an unforgettable entrance: literally. Not only has she managed a smashing debut as an official LA-based artist, moving here from her native Miami a matter of weeks before the opening of “To the Power Of;” but the most dazzling of all the hypnotic works in that show are a pair of sculptural objects carving out geodesic portals that shimmer like rainbow rifts in the fabric of space. Both the freestanding Cosmic Distortion, 2012 (standing 36 1/2 inches) and the wall-embedded recess Whole, 2012 (with a radius approximately 42 inches) are impressive feats of patience, precision, and advanced fractal mathematics that beckon viewers forward, daring them to lean further, to reach inside when no one is looking, to go in. These negative spaces contain within their receding dimensions crisply defined, twisting stacks of cut paper, orchestrated to replicate geological, cosmological, and striated optics. Engineered through a process of algorithmic measurement and chromatic zestiness, her results speak to both the mysteries of sacred geometry and funhouse psychedelia.

By way of contrast, the wall-hanging Cascade (69 inches long) is made with the same classroom-simple set of materials, but references looser kinds of fractal math, such as that which might formulate the patterns of a waterfall, or a peacockÕs feathery spread. The level of dense, tiny detail in all the work seems to defy the limited powers of the hand and eye, rendering with a microscopic precision and macroscopic perspective at the same time, laying claim to the universal fundamentals of material structure, and to the joy of pure delight. Other acrylic paint-based works reference the striated fields, or alternatively set them to dissolving in waves of layered, organic, expressive abstraction. Those paint and felt-tip on paper works are vibrant and organic and quite beautiful, like ramshackle English-style gardens infused with a jazzy palette; but it’s the construction-paper constructions that possess the alluring oomph of the magical. They don’t depict so much as they evoke, or reenact, the sacred geometry of crop circles and star maps–but with a whiff of light-hearted Burning Man-style paganism, a nod to schoolroom craft time, and a wallop of post-Op Art abstraction.

The Miami Project Fair during Art Basel Miami: New holographic work

Tuesday, November 27th, 2012

Come check out my 2 new holographic pedestals during Art Basel Miami at The Miami Project Fair. I’ll be exhibiting in booth #719 with Cooper Cole Gallery. The fair is on from December 4th-9th. Check their website for hours: http://www.miami-project.com

The Miami Project Art Fair
Booth 719 / Cooper Cole Gallery
2951 NE 1st Ave.
Miami, FL 33137

 DETAIL “Holographic Square” / 17″ x 17″ x 36″ / acid-free foam board, holographic paper, glue, wood & paint / 2012

“Holographic Square” / 17″ x 17″ x 36″ / acid-free foam board, holographic paper, glue, wood & paint / 2012

“Holographic Circle” / 20″ x 20″ x 35.5″ / acid-free foam board, holographic paper, glue, wood & paint / 2012

Art & Conversation with MOCA curator Alma Ruiz, artists Jen Stark & Sam Borkson (FriendsWithYou)

Monday, October 29th, 2012

Please join us for an afternoon of art and conversation with MOCA curator Alma Ruiz, Artists Jen Stark and Sam Borkson (FriendsWithYou). Saturday November 3, 2012 at 3pm. On the occasion of Jen Stark’s gallery exhibition To the Power Of.

Please RSVP at: gallery@marthaotero.com

Martha Otero Gallery
820 N Fairfax Ave
Los Angeles, CA 90046
#(323) 951-1068

Smithsonian’s “40 Under 40″ book

Tuesday, October 23rd, 2012

The Smithsonian American Art Museum’s Renwick Gallery came out with a book of their current show that my work is included in “40 Under 40: Craft Futures”. Here is the article and photos of the book. If you’d like a copy for yourself, the book is also available to purchase HERE.

“40 UNDER 40″ group exhibition book
Written by: Nicholas R. Bell

The politics of craft, often so close to the surface, are largely absent from the paper sculptures of Jen Stark. Rather than tackle the deficiencies of contemporary culture, these unexpected objects serve as psychic way stations–colorful oases for individuals to de-stress through the contemplation of joyful things. In this sense they take up anew the mantle of Fancy–boisterous and bright aesthetic movement of the early nineteenth century that reframed American decorative arts through a whimsical lens. The exploitation of vivid color and pattern was paramount then, and returns as the foundation of Stark’s oeuvre.

The artist first turned to paper as a student seeking an affordable medium, and from a materials standpoint even her most complex works remain deceptively simple in their construction. Start stacks sheets of drawing paper in the order she wishes them to appear, then cuts into them one leaf at a time, finding rhythm in their expanding geometries. She cites fractals as an influence on her work, and it is easy to see the attention paid to such natural phenomena. The tight margins between layers of color mimic evolutionary progress–the smallest shifts altering the final makeup the whole.

Power of Being is indicative of Stark’s eye-popping style. A six-pointed star leaps off the wall, lending the paper a dynamic topography, then trickles down in ragged layers to a distant root. Alternating color pairings are both playful and suggestive of the star’s meaty past, while its lingering tail invokes the underbelly of an iceberg. It is only one trick up Stark’s sleeve to convey depth through the slimmest of things. Piece of an Infinite Whole demonstrates the artist’s ability to transform space through the stacking of paper. In this case she has broken through a wall, removing the piece from the actual gallery, as if the right combination of colors might open up a wormhole in otherwise staid white cube. This rupturing of the standard plane is a recurring theme in Stark’s work, and marks a current of provocation running beneath the simple pleasure of viewing it.

Stark underscores the labor inherent to her medium in How to Become a Millionaire in 100 Days. Toying with this culture’s get-rich-quick mentality, and the notion of wealth as the accumulation of currency (i.e., paper), she has individually cut one million pieces of paper and left them in a glorious pile of bespoke confetti. A quick calculation based on the title uncovers a working rate of ten thousand scraps cut per day, a pace that would make anyone blanch, and one that serves to highlight her physical as well as mental determination.

Ultimately, Stark’s palette and her deft use of the knife enchant not only through their brilliance, but also through her transformation of the most common of materials into something unique. Functionally, these strange forms serve little purpose, but to lose them would also be to miss them as one misses the most practical of things. Such is the importance of our ability to escape down the nearest, brightest rabbit hole.

To the Power Of: Installation Shots

Wednesday, October 10th, 2012

Some installation shots from my solo show at Martha Otero Gallery. The show runs through Dec 1st, so if you’re in LA come by.

(Installation view) photo by Brandon Shigeta

“Cosmic Distortion” / 22.5 x 22.5 x 36.5 in / Hand-cut acid-free paper, glue, wood, foam board / 2012
photo by Brandon Shigeta

“Prismatic Radiation” / 47 x 47 x 1 in / Wood, acrylic paint / 2012
photo by Brandon Shigeta

(Installation view) photo by Brandon Shigeta

“Whole” / 3 x 3 x 3.5 ft / Installation of hand-cut acid-free paper, foam board, glue / 2012

Martha Otero Gallery
820 N Fairfax Ave
Los Angeles, CA 90046
#(323)951-1068

 

“To the Power Of” solo show in Los Angeles

Tuesday, September 11th, 2012

Martha Otero Gallery is pleased to present Jen Stark’s first solo exhibition in Los Angeles, To the Power Of.

Opening Reception is September 28th from 6-9pm. Show runs through December 10th.

Jen Stark’s work is instantly recognizable for its breathtaking color spectrums rendered in mind-bending forms cut from paper, wood and other organic materials.

Stark’s sculptures seemingly reconstruct elements of time, nature and the cosmos on an exponential scale. She draws inspiration for her works from the rhythmic visual qualities of mandalas and other such sacred objects, while they simultaneously behave like the imagery of topographic maps, geometric repetitions and three-dimensional prisms. This aligns directly with her interest in mathematics: ‘to the power of…’ being a statement of exponential growth also infers the definition of ‘power’ as both the possession of physical or mental control and the fortitude to act decisively. Her unique experience working with fibers is displayed in her delicately constructed patterns, which resemble the flowing movements of fabric versus the perceived rigidity her actual core materials. Stark’s unflinching attention to physical detail and a commitment to shaping the object into something far beyond its origins result in a body of work which borders on the unbelievable.

With each successive individual project, Stark becomes bolder in her efforts to lure viewers into her kaleidoscopic environments. The work stands alone as a signature piece of superior craftsmanship and imaginative prowess, but Stark remains conscious of how the work is inextricably bound to real space and time. In this vein, Stark pushes the envelope of visual art production, recalling both the psychedelic experience of Op Art and the endearment of handmade totems and mystic charms.

Jen Stark was born in Miami in 1983. She received her BFA from the Maryland Institute College of Art in 2005, with a concentration in fibers and a minor in animation. Stark was the 2008 recipient of the South Florida Cultural Consortium’s Visual and Media Artist Fellowship and, in the same year, won first prize at MOCA North Miami’s 10th annual Optic Nerve Film Festival. Stark’s work has been featured in solo and group exhibitions in Chicago, New York, Toronto, Los Angeles, London and Miami. Stark has been the subject of televised interviews for PBS Arts, WLRN South Florida and the Wet Heat Project. Stark’s work is held in the permanent collections of the Smithsonian American Art Museum’s Renwick Gallery in Washington, D.C., the Museum of Contemporary Art in North Miami, the West Collection in Oaks, Pennsylvania, and the Cricket and Martin Taplin Collection at the Sagamore Hotel in Miami Beach. Stark lives and works in Los Angeles.

For more information and artwork inquiries, please contact: gallery@marthaotero.com

820 NORTH FAIRFAX AVENUE
LOS ANGELES, CA 90046
t. 323 951 1068

PULSE MIAMI Dec 1 – 4, 2011

Tuesday, November 15th, 2011

During Art Basel Miami Dec 1-4th, 2011, I’ll be exhibiting at PULSE Art Fair with LMAK Projects (NYC) in booth C-100. I hope you can make it out if you’re in Miami!

 

More info here:  http://www.pulse-art.com/miami/

Spectra I at Future Tense (London) opening Nov 24

Monday, November 14th, 2011

I’m excited to announce that I’ll be in my first UK group show in London at Future Tense opening November 24th. The show is called “Spectra I” and I’ll be showing alongside artists Lee Baker, Adam Ball, Chuck Elliott, Katrin Fridriks, Haroshi, and James Marshall. Should be an amazing show so if you’re in London, stop by and see it! Show runs through December 18th.

Opening Reception November 24th from 6-9pm

Check out more info here: http://www.thefuturetense.net/

PULSE Los Angeles

Sunday, September 11th, 2011

Come see my new work at PULSE Art Fair in Los Angeles with Show & Tell Gallery (Toronto). Fair runs September 30 – October 3


PULSE L.A.

Event Deck at L.A. Live
1005 West Chick Hearn Court
Downtown Los Angeles, California

Dadarhea CANADA Gallery

Tuesday, February 22nd, 2011

If you’re in NYC this weekend, check out a wild and crazy group show I’ll be in.

Friday February 25 from 6-8pm at CANADA GALLERY in NYC.

“Art Dizzle” / 18″ x 24″ / mixed media on archival art board / 2011 / By Sam Borkson, Jen Stark & Alvaro Ilizarbe

For this show, our collaboration “Art Dizzle” was made in the spirit of fun, friendship and creativity. The result is a collage of layering and built up craziness. There were no rules and no talking. In the work, we used some pieces of fabric and sequins from our actual costumes in the live Dadareah performance at OHWOW.

The opening night will feature a screening of Dadarhea and a special live performance by Robert Beatty of Hair Police and Three Legged Race, to accompany a video mix by Devin Flynn and Takeshi Murata. Throughout the month, Dadarheans will invite you to participate in a variety of workshops, events and musical performances. In celebration of this premiere and residency, CANADA has printed a special book complete with a DVD of the film!

Dadarheans include: Devin Flynn, Jim Drain, Francine Spiegel, Taylor McKimens, Takeshi Murata , Ara Peterson, Leif Goldberg, Jessie Gold, Bec Stupak, Neil Fazzari, Naomi Fisher, Melissa Brown, Erin Krause, Laura Grant, Brian Belott, Johnny Woods, Rich Porter, Billy Grant, Alison Kuo, Alvaro Ilizarbe, Jen Stark, Ross Goldstein, Trish Riefert, Debbie Tuch, Sam Borkson, Bert Rodriguez, Jeffery Williams, Michael Williams, Marie Lorenz, Annie Pearlman, Seth Cooper and Joe Grillo.

For more information visit in the EVENT PAGE or  CANADA Gallery website.

Group show at Fullerton College / Orange County, CA

Monday, January 10th, 2011

I’m going to have new work in a group art show at Fullerton College in Orange County, CA. Here is the info:

“Paper Cuts”
Group show at Fullerton College Art Gallery
Opening Thursday January 27 from 5pm – 7pm
On display Thursday, January 27 – Thursday, February 24, 2011

Fullerton College Art Gallery / 321 E. Chapman Avenue, Fullerton California 92832 | 714-992-7000

“Legal Tender” at Martha Otero Gallery

Wednesday, November 17th, 2010

My work will be in a group show in Los Angeles at Martha Otero Gallery. If you’re in town, check it out:

LEGAL TENDER
Martha Otero Gallery
November 20, 2010 – January 8, 2011
Opening Reception: Saturday, November 20th from 6 to 8 pm

A group exhibition featuring work by:

E.V. Day
Dzine
John Espinosa
Rob Fischer
Matt Greene
Adam Janes
Brad Kahlhamer
Jose Parla
Travis LeRoy Southworth
Jen Stark
Centrifugal / 40″ x 31″ x 5″ / hand-cut paper on wood backing / 2010

For more information contact www.marthaotero.com

SCOPE Art Fair MIAMI

Thursday, October 7th, 2010

I’ll be showcasing some installation pieces at SCOPE Art Fair this year at Carol Jazzar’s booth #A21.  If you’re down for Basel, make sure to check it out!

JEN STARK at SCOPE with Carol Jazzar booth #A21
NOV 30th – DEC 5th,  2010
Midtown / 3055 North Miami Avenue / Miami, FL 33127

Check out the SCOPE website or Carol Jazzar website for more info.Jen Stark at SCOPE with Carol Jazzar gallery booth #A21

SCOPE ART FAIR HOURS
First View: Opening Tuesday Nov 30 (VIP) / 3pm-9pm
General Admission Fair Hours:
Wednesday, December 1 / 11am-6pm
Thursday-Saturday, Dec 2-4 / 11am-7pm
Sunday, December 5 / 11am-6pm

PERFORMANCE: Ohwowies, The Magical Goat and Triplet

Sunday, August 15th, 2010

During the DADARHEA Show at O.H.W.O.W. on Friday August 13th,  Alvaro Ilizarbe (AKA Freegums), Sam Borkson (FriendsWithYou) and I created 3 magical creatures and did a live performance during the opening. We blew poppers, feathers, and glitter out of our costumes and pranced around ringing bells. Here are a few photos.

Alvaro Ilizarbe (left), Jen Stark (center) and Sam Borkson (right)

(bottom 2 photos by Justin Namon/WorldRedEye.com)

“DADARHEA” at O.H.W.O.W in Miami

Sunday, August 1st, 2010
If you’re in Miami on Friday, August 13 come check out a wild opening of a group show I’m in at O.H.W.O.W.
Opening reception Friday, August 13, 2010 8pm.

DADARHEA
August 13 – August 31, 2010
3100 NW 7 Avenue / Miami / Florida / 33127

Welcome to DADARHEA. An idea born from an absurd dream involving pee filled supersoakers and deep fried laptops. It’s a dadaist pizzeria. It’s idea-rhea. It’s the video art equivalent to fantasy island – where Devin Flynn is the Mr. Roarke to Jim Drain’s tattoo. Dadarhea is freeform video workshop with a group of guest artists who pride themselves on confounding their audiences, allowing them to employ animation, live action video (on location and greenscreen), musical performance, or any and all improvised & questionable behavior. Through the month of July, a residency at OHWOW (MIAMI) and at Bec Stupak’s Honeygun Labs (NYC) will take place in order to experiment with the possiblity of total video saturation. The finished video will premiere on August 13th with an accompanying installation comprised of any and all emphemera related to the project. Dadarhea-ists include: Devin Flynn, Jim Drain, Naomi Fisher, Ara Peterson, Joe Grillo, Takeshi Murata, Francine Speigel, Melissa Brown, Marie Lorenz, Todd James, Brian Belott, Jessie Gold, Michael Williams, Erin Krause, Alvaro Ilizarbe, Jen Stark, Friends With You, Billy Grant, Laura Grant, Alison Kuo, Eric Fensler…and more!